Before 2011, I used to scoff at the idea of Twitter. Now, as you can see from the widget to your right, I'm pretty damn active there, and I've found it to be enjoyable and beneficial.
I haven't scoffed at Instagram, but I never saw the point of it. My thoughts were: "I can already post photos on my blog, Facebook, Twitter, what-have-you. Why in god's name would I need another site, another screen name, another password to remember, just to share photos? Well, here we are. I have an Instagram account. If you're so inclined to follow me, here's my link. I assume you can just search by my handle: @chicagoexpatjy; alas, I'm still getting used to the ins and outs of sharing, posting, etc. I only have two images up, with more to follow.
With how busy I've been with school, I didn't think I'd have time to update it, let alone consider the kind of images and photographs I want to post. But as I spend a good part of my day commuting from home to work to campus and back again, I've seen little moments that I wouldn't mind snapping. Some of these images are obvious: glorious sunrises from the train. Some of these are lesser known: next to the beautiful facade of Roosevelt University, there's a covered alley next to it. There are loading docks, boxes, and a general atmosphere of the industrial side of progressive education. Or something like that. Granted, I haven't photographed it, but I'm sure it'll be next on my list. I've toyed with the idea of doing a photo per day. But, as I've said too many times, no promises. The more I promise, the less my immediate vision translates to what I actually do. And a note to actual, real photographers: I'm using the word "photograph" lightly. I know that whipping out my phone and hitting "click" isn't the same as actual, artistic work. I salute real, dedicated photographers. I'm not cutting into your world, I'm just interested in documenting little things.
Overall, this could be a good writing exercise. By accumulating images that I see in passing, or seeing infrastructures that strike me as odd, I hope to think critically and see how I can use my writing to uncover some of these smaller, tender moments. Perhaps I'm being too grandiose: so far, I have photo of Chicago's Rainbo Club and one from the interior of a CTA train. But hopefully this will make sense as I go along.
I'm only human, and this is the internet. So while I want to shy away from the obvious, I can't promise there won't be the occasional photo of (pick one or all of the above): a.) cats, b.) beer steins, c.) full whiskey glasses, or d.) plates full of food.
So follow me if you wish. And if you're aware of any accounts that specialize in urban visions, by all means let me know.
Monday, October 14, 2013
Saturday, October 12, 2013
Why, hi there.
It's been over two months since I last updated this blog. One of my last posts explained this: I'm currently in my first semester at Roosevelt University, on the first leg of my MFA candidacy in Creative Writing. While I had hoped to do little "snapshot" updates over the course of these months, that hasn't happened. But I wanted to write something, for god's sake. I was honest when I said I wasn't giving up on this blog, just that doing five book reviews/personal essays a month was impossible, given my jam-packed workload of reading, class writings, workshop editing, and edits, edits, edits. On top of that, I'm one of the student editors of Oyez Review, the MFA program's literary magazine (issue #40 is above; I'm currently editing and reading submissions for #41, coming this spring).
I'm also going to be doing two blog posts for the Oyez website. I'll update those here when they're published. A slight preview of my first blog post: after reading submissions for a solid month, I want to find the editors who sent me detailed, kind rejection letters. And I want to hug them profusely. With a small team of student readers, the workload has been immense. I can't imagine the work that goes into reading for a journal that publishes all year. So when I received rejection letters accompanied by kind notes, I was appreciative, but now, I'm even more touched. The unpaid hours are really, truly done out of love and dedication. So to take the time to send a small, personalized note when time is precious shows just how dedicated the editors of my favorite journals really are.
Some other notes:
1.) The new director of Roosevelt's MFA program is writer and novelist Christian TeBordo. When I found out he was coming to the program, that's what sold me, and I'm pleased to note that his writing skills and personality are in equal abundance. He's nicer than I could have imagined, and he really, truly wants to make the program as good as it can be. So I feel like I've started at the perfect time.
2.) My fellow first year MFA candidates are talented people. There's no competition, but rather a true sense of community and a shared goal of helping each other become better writers. We're very honest with each other, and there are never any hard feelings. And even though we've been together just over a month, there's been a marked improvement overall. I'm sure there will be steps back and steps forward for all of us, but for an opening month, this has been a terrific experience. And for fuck's sake, I need to stop using passive voice. That's been one of my biggest problems as a writer, and seeing this pointed out consistently has helped.
3.) On Monday, October 7th, Lindsay Hunter gave a reading at Roosevelt. As anyone who knows me can attest, I'm a serious fan of her writing, and I was beyond excited about this opportunity. Not only did I get to meet her and hear her read (if you ever have the chance to attend a Lindsay Hunter reading, go. Just go. Her performances are equally stunning and hilarious), but she sat in on our Fiction Workshop. She offered assessments on my story, was encouraging and honest, and she's a very careful reader. To have one of my favorite contemporary writers discuss my own work with me was unexpected a few weeks ago and a reality just this past Monday. I was honored. The photo below was taken for the Roosevelt Creative Writing MFA blog.
4.) I won a $1,000 spring semester scholarship for the above story. An organization called Friends Of American writers offers this scholarship every year to a first year MFA candidate. I was humbled. I guess in a way, it's the first time I've been paid for my writing, in a roundabout way. Actually, not really, but every little bit of cash helps right now.
5.) Two classmates said my story reminded them of George Saunders. I was touched and deep down wanted to say "easy there, tone it down. I'm not even within a couple galaxies of his talent." But it was just an overall assessment on tone and style, and I was touched, even though I was heavily skeptical.
So this is just a random smattering of what I've been up to as of late. I don't want to promise more consistent updates, because whenever I make any kind of promise via this blog, that's a virtual guarantee that said promise won't be kept at all. But I'm happy, a bit overworked and dazed, but overall on the way to where I want to be as a person and as a writer. And the ultimate catch-22: I'm making progress on my writing but have no time to work on things not related to school. I better keep my ass moving during Thanksgiving and Christmas break, yeah?
More updates soon! Just not sure when, exactly.
Hi there. I'm a couple days late posting this, but I have a new short story up in BULL Magazine . It's one of my longer stories (an...
There are two different reasons why I recently read Truman Capote's In Cold Blood : The first reason: my older brother loaned it to me...
Even in 2012, one of the more striking traits about John Dos Passos was his tendency to write about the American immigrant experience in a ...
Finding an essay topic for a book like The Bell Jar is not unlike the old holiday slogan "What do you get for the person who has eve...